Showing posts with label Overview. Show all posts
Showing posts with label Overview. Show all posts

Wednesday, April 1, 9057

Music Appreciation



Diablo Valley College
Music Appreciation

Music 110-3831
Fall 2021

Dr. Mark Alburger


Overview


Course Information

Unit Credit:
3, Grade Code SC - grade or credit / no credit.

Prerequisites:
None

Location:
M-125

Meeting Times
T, Th 12:45-2:10pm

Withdrawal:
It is the student's responsibility to notify the records office of a withdrawal.


Communication (M-F)

Office:
M-116

Telephone / Text:
(707) 474-7273

Email:
malburger@dvc.edu (default address)
mus21stc@gmail.com (back-up, in case school system is down)


Websites:
imslp.org/wiki/Category:Alburger,_Mark
youtube.com/user/DrMarkAlburger
markalburger.blogspot.com
markalburger2021.blogspot.com
markalburger2020.blogspot.com
markalburger2019.blogspot.com
markalburger2018.blogspot.com
markalburger2017.blogspot.com
markalburger2016.blogspot.com
markalburger2015.blogspot.com
markalburger-2014.blogspot.com
markalburger2013.blogspot.com
markalburger2012.blogspot.com
markalburger2011.blogspot.com
markalburger2010.blogspot.com
markalburger2009.blogspot.com
markalburger2008.blogspot.com
markalburger2007.blogspot.com
markalburgerevents.blogspot.com
markalburgerworks.blogspot.com
markalburgermusichistory.blogspot.com
21st-centurymusic.blogspot.com
21st-centurymusic.com
facebook.com/people/Mark-Alburger/546460824
theopusprojectcelebration.blogspot.com
myspace.com/markalburger
goathall.org
sfcco.org


Office Time and Place:

2:10-2:40pm Thursdays
M-116


Text

Selections from:
Mark Alburger - Music History
markalburgermusichistory.blogspot.com
and
markalburger2020.blogspot.com


Materials

No. 2 pencil (with eraser)
Notebook
Computer access


Course Description

MUSIC-110
Music Appreciation
3 units
SC
54 hours lecture per term
Recommended: Eligibility for ENGL-122 or equivalent
This course is an introduction to the experience of listening
to music with an appreciation of its technical, stylistic,
expressive, social and historical aspects. Audio recordings,
audio-video recordings, and live performances are used to
study the evolution of Western classical styles and genres
including opera, symphony, concerto, and chamber music, as
well as jazz and rock. Some comparison of Western musical
traditions with those of other cultures will be included. C-ID
MUS 100, CSU, UC


Objectives

1. Read and hear pitches, note values, meters, rhythms, and scales/modes.

2. Analyze musical examples re form, harmony, rhythm, and melody.

3. Demonstrate a basic knowledge of the historical development of Western music.


Student Learning Outcomes

A. Utilize a basic vocabulary for the appreciation of music.

B. Aurally identify performance media and musical genres.

C. Aurally identify Western classical music styles and major works from each stylistic period.

D. Discuss the contributions of major composers to Western classical music literature.

E. Relate a historical/social perspective to the development and evolution of Western classical music styles.

F. Relate Western classical music styles to stylistic movements in art and literature.

G. Compare and contrast Western classical music styles to Western popular music styles and various non-Western musical traditions.


Grading and Evaluation (Fall-Spring)

Participation - 1600

Quizzes - 1600

Reviews - 200


Grading and Evaluation (Summer)

Participation - 1200

Quizzes - 1200


Score Legend

A 100-90

B 89-80

C 79-70

D 69-60

F 59-0


Concert Attendance (Fall-Spring) (only when pandemic ends)

Students are required to review two concerts per semester (ideally live -- but, if necessary, online).  At least one should be by the DVC music department (if possible) and (not necessarily the same presentation) primarily of Western Classical music (band, chamber, choral, opera, orchestral). Reviews of each event will identify the concert (who, what, when, and where), and comment on salient elements. The first review will be due by mid-term; the second by the week before the final.

Reviews should have a:
Title
Lede Sentence
Basic News Facts
Good Mechanics / Style (endeavor to avoid 1st person)
Perceptive Content

c. 300-500 words each, typed, double-spaced...

For example formats, feel free to check reviews at
The New York Times
San Francisco Chronicle
21st-Century Music (21st-centurymusic.blogspot.com)
etc.


Late Assignments

There will be a 10% grade penalty on all assignments up to a week late. Assignments more than one week late will receive a failing grade. Only quizzes missed due to excused absences may be made up. Such quizzes must be made up within one week or receive a failing grade.


Attendance Policy (face-to-face classes only)

Students are expected to attend all class meetings, regardless of whether or not the instructor takes attendance. The instructor may drop students who miss more than two weeks of a term-length course. Students must contact the instructor directly to inform them of an absence. Students must notify the instructor of their absence in advance if they have conflicts due to School Functions, Government Duties, and Religious holidays. The college cannot relay such message.
http://www.dvc.edu/communication/policies/academic/attendance.html


Academic Dishonesty

Diablo Valley College is committed to creating an environment where student achievement is championed and celebrated. Because the college values academic integrity as an essential component of academic excellence, students are expected to be truthful and ethical in their academic work. Commitment to academic integrity is the responsibility of every student and faculty member at Diablo Valley College.
https://www.dvc.edu/communication/policies/student-rights/academic-integrity.html


Artistic Borrowing

Students found borrowing, gridding, modeling, or troping will be congratulated. Please refer to the history of art, the universe, and everything.



Syllabus (Fall-Spring)


Week 1

Prehistoric Music


Week 2

Ancient Music


Week 3

Medieval Music I


Week 4

Medieval Music II


Week 5

Renaissance Music


Week 6

Baroque Music


Week 7

Classical / Romantic Music I


Week 8

Romantic Music II


Week 9

20th-Century Music I


Week 10

20th-Century Music II


Week 11

20th-Century Music III


Week 12

20th-Century Music IV


Week 13

20th-Century Music V


Week 14

21st-Century Music


Week 15

Review


Week 16

Exam



Syllabus (Summer)


Week 1

Prehistoric Music
Ancient Music


Week 2

Medieval Music I
Romantic Music II


Week 3

20th-Century Music I
20th-Century Music II


Week 4

20th-Century Music III
20th-Century Music IV


Week 5
20th-Century V
21st-Century Music


Week 6
Review (Medieval II, Renaissance, Baroque, Classical, Romantic I)
Exam


[for PDF of this syllabus, open page as a separate entity,
click "print", and "save as PDF"]


[9057 - Music Appreciation Syllabus]

Music Theory



Diablo Valley College
Pleasant Hill, CA
Theory and Musicianship I
Music 122-1313
Spring 2019
Dr. Mark Alburger


Overview


Course Information

Unit Credit:
4, Grade Code SC - grade or credit / no credit. Please decide before Week 6.

Prerequisites:
None.

Location:
M-127

Meeting Times:
TTH 7:55-11:00am

Withdrawal:
It is the student's responsibility to notify the records office of a formal withdrawal.

N.B. Music 150 (Beginning Piano I) is additionally recommended for those without keyboard background.


Communication

Office:
M-116

Telephone:
(707) 474-7273

Email:
mus21stc@gmail.com

Websites:
youtube.com/user/DrMarkAlburger
imslp.org/wiki/Category:Alburger,_Mark
markalburger.blogspot.com
markalburger2019.blogspot.com
markalburger2018.blogspot.com 
markalburger2017.blogspot.com
markalburger2016.blogspot.com
markalburger2015.blogspot.com
markalburger-2014.blogspot.com
markalburger2013.blogspot.com
markalburger2012.blogspot.com
markalburger2011.blogspot.com
markalburger2010.blogspot.com
markalburger2009.blogspot.com
markalburger2008.blogspot.com
markalburger2007.blogspot.com
markalburgerevents.blogspot.com
markalburgerworks.blogspot.com
markalburgermusichistory.blogspot.com
21st-centurymusic.blogspot.com
21st-centurymusic.com
theopusprojectcelebration.blogspot.com
facebook.com/people/Mark-Alburger/546460824
myspace.com/markalburger
goathall.org
sfcco.org


Office Time and Place:
Th-11:00-11:30am
M-116


Texts

Online:
markalburgermusichistory.blogspot.com
markalburger2019.blogspot.com

Traditional:
Mark Alburger. Music Theory.
Owen J. Lee. Music 122 Reference and Workbook.

Optional:
Mark Alburger. Performance: Analysis, Keyboard, and Solfege.
Kate Bastien. Music Flashcards.
Thomas Benjamin. Music for Sight-Singing.
Mark Levine. The Jazz Theory Book.
W.A. Mathiew. Harmonic Experience.
Walter Piston. Harmony.
Eric Salzman and Michael Sahl. Making Changes.


Materials

No. 2 pencils

8.5" x 11" 12-line music manuscript paper (loose-leaf or notebook)

Computer access, and music notation software program (the latter optional)


Course Description

This is the first course in the Music Transfer Program Theory Sequence. Music 122 is the study of the fundamentals of music (primarily Western), including notation, basic theoretical concepts, melodic and rhythmic reading, ear training, and beginning composition.


Objectives

1. Write and visually identify pitches, note values, meters, selected scales/modes, key signatures, intervals, triads, and chords in treble and bass clef staves.

2. Arrange simple progressions in appropriate styles.

3. Read, perform, and count rhythms.

4. Sing at sight simple melodies using solfege syllables (movable "do")

5. Take simple melodic and harmonic dictation.

6. Perform basic selected scales/modes, intervals, chords, and simple melodies at the keyboard.

7. Analyze simple musical examples from the perspectives of key/mode, form, harmony, rhythm, and melody.

8. Compose short compositions, including a musical setting of a poem.

9. Demonstrate a basic knowledge of the historical development of harmony in Western music.


Student Learning Outcomes

A. Utilize the modern, Western system of notating music.

B. Recognize and apply fundamental Western theoretical concepts.

C. Demonstrate basic musicianship skills including sight singing, rhythm reading, aural recognition, dictation, and keyboard realization.

D. Discuss the historical aspects of the development of the theoretical concepts presented throughout the course.

E. Compose music using fundamental Western theoretical concepts.


Grading and Evaluation (point scale)

Daily Attendance / Participation (2000)

Weekly Quizzes / Exam (2000)

Compositions / Reviews / Class Teaching (1000)



Score Legend

90-100% / A

80-89% / B

70-79% / C

60-69% / D

0-59% / F


DVC Music Technology Center (and elsewhere)

Frequent use of online tutorials via the absolutely wonderful DVC Music Technology Center (MTC) or wherever is encouraged -- 15 minutes per day are recommended.


Concert Attendance

Students are required to attend two concerts per semester. At least one should be by the DVC music department and (not necessarily the same presentation) primarily of Western Classical music (band, chamber, choral, opera, orchestral). Reviews of each event will identify the concert (who, what, when, and where), and comment on salient elements. The first review will be due by mid-term; the second by the week before the final.

Reviews should have a:
Title
Lede Sentence
Basic News Facts
Good Mechanics / Style (endeavor to avoid 1st person)
Perceptive Content

For example formats, feel free to check reviews at
The New York Times
San Francisco Chronicle
21st-Century Music (21st-centurymusic.blogspot.com)
etc.


Late Assignments

There will be a 10% grade penalty on all assignments up to a week late. Assignments more than one week late will receive a failing grade. Only quizzes missed due to excused absences may be made up. Such quizzes must be made up within one week or receive a failing grade.


Attendance Policy

Students are expected to attend all class meetings. Required texts only supplement class meetings. Thus, attendance to all class meetings is essential to the successful completion of the course. Poor attendance has always resulted in a poor grade, while excellent attendance has always been a prerequisite to an excellent grade. Students who miss more than two weeks of class may be dropped without notice. Students who need to take a leave of absence during the term should ask a counselor for a petition and then receive written approval from the Instructor and the Dean of Students. Leaves of absence are limited to ten instructional days.


Academic Dishonesty

Students found cheating or plagiarizing will be subject to Student Code of Conduct disciplinary procedures. Please refer to the Diablo Valley College Catalog.


Artistic Borrowing

Students found borrowing, gridding, modeling, or troping will be congratulated. Please refer to the history of art, the universe, and everything.


Syllabus

Week 1
Prehistoric / Treble
Notation of Rhythm
Notation of Pitch / C Major Scale

Week 2
Ancient / Treble and Bass
Half and Whole Steps / F Modes
Interval Number
Bass Clef /Interval Quality

Week 3
Medieval I / Steps and Modes
D Dorian / D Minor / E Phrygian
Perfect Fifths and Fourths

Week 4
Medieval II / Keys and Modes
Larger Intervals
G Modes

Week 5
Renaissance / Major and Minor
Chord Names and Numbers
Chords in Am and C / Scales of Am and D

Week 6
Baroque / Intervals and Chords
E Scales / C Minor / A Major
Interval Inversions

Week 7
Classical / Triads
Bb Eb Major / C Melodic Minor / B F# Minor
Typical Forms in the Common Practice Era

Week 8
Romantic/ Stacked Chords
Seventh Chords
Fm / Ab, Db / Chromatic / Triad Qualities in C

Week 9
20th-Century I / Bitonal, Inverted, Quartal
Whole Tone / Gb, F# / Bbm, Ebm / Inversions
Bitonality / Syncopation

Week 10
20th-Century II / Counterpoint
Neighbor Tones, Passing Tones, Suspensions
C#m, G#m, D#m / B / I-IV-V in C and Eb

Week 11
20th-Century III/ Chord Cycles
Chord "Progression"
W-H & H-W Octatonic / C Blues / C I-IV-V Syncopation

Week 12
20th-Century IV / Voice-Leading
Two Basic Rules
12-Bar Blues

Week 13
20th-Century V / Figured Bass
Realization
Comparison
Inverted Chords in Figures

Week 14
21st-Century Music / Analysis
Seventh Chords in G, C, and F

Week 15
Review

Week 16
Exam

[9057 - Music Theory Syllabus]